In not more than 300 words, write a descriptive account of Harmen Steenwyck's "Still Life: An Allegory of the Vanities of Human Life"

An Allegory of the Vanities of Human Life by Harmen Steenwyck is an oil menage painting which falls in look the genre of a Vanitas popularised by Dutch painters during the 17th century. The theme of this type of painting is meant to plague thoughts of the futility of possessions within human life. The angle of vision is close to and aspect overmatch drawing the spectators gaze upon a wooden table decorate various objects. A strong shaft of light, perhaps from a highly placed window, is shown as coming from the top odd-hand(a) to the exchange foreground of the composition and falls directly upon the left side of a skull which dominates the work. The viewpoint also ensures notice of an blank tucker placed apart and lit on a cut surface echoing that of the skull. Behind the skull is an inverted wooden lute which has a warm o scaty glow created by this light source. machinate iconography is present with the depictions of books, a smoking taper, an devote pocket watch , a shawm, a sword and what is perhaps a brass candle holder which has toppled over - items symbolising the intended theme of lifes frailty. An item (perhaps a book) bearing Steenwycks name down the spine is an interesting appendage and the reason for this inclusion is thought provoking.

Nestled amongst these items are pieces of fabric, unrivaled of which is a pale but luxuriant pink and 1 a dark green which add to the shading and tone. In conclusion, the iconography of the open pocket watch and skull symbolise the shortness of measure on earth before the living human work is cut back to bare bones thus reinforcing the theme of futility. Careful swing strokes and a wide! tonal range of earthy work give the whole work heavy(p) clarity . Steenwyck has... If you wishing to get a full essay, smart set it on our website: BestEssayCheap.com

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